居 . 注-王海川作品展展訊

The Note of Staying -Wang Haichuan Solo Exhibition

展覽時間: 2010年7月10日－2010年8月25日

Date: July 10,2010- August 25,2010

開幕酒會: 2010年7月10日星期六下午4-6時

Reception: 4pm-6pm,Saturday,July 10th,2010

主辦: 高地畫廊

Host: Gaodi Gallery

開放時間: 11:00-18:00（星期二至星期日，周一休息）

Opening Hours: 11am-6pm ( Tuesday-Sunday, Monday By Appointment Only )

地址: 中國北京市朝陽區酒仙橋路2號798藝術區706北四街B10

Venue: B10,706 North Forth St.,798 Art Zone,No.2

Jiuxianqiao,Chaoyang District, Beijing, China



視覺藝術出身的王海川曾經多年從事建筑和景觀設計。而這批作品的出現也是有這樣一個歷史機緣在其中。在他的作品中，絕無人的出現，對于建筑和園林的描述，人們很容易將這些作品看作是一些風景繪畫的陳詞濫調。但是事實并非如此。從2008年開始，藝術家最先描述的是那些紀念碑性質的建筑。而后將觸角涉及到正在蓬勃崛起的各種高檔小區之中。如果不考慮畫面上的滴灑，我們幾乎可以將這些圖像視作是建筑畫。但是這些作品的觀念恰巧出現在這些非繪畫性的因素之中。這些單色的畫面，使得來自真實場景的景物變得虛假；拒絕了人的出現則是讓這些本來應該人性化的東西變得更加沒有“人性”，而顯得象舞臺上的空洞、單薄的擺設。而這些單色的滴灑，則不斷的提示著我們，這些美好的虛偽性，以及藝術家試圖破壞或者穿透它們的企圖。王海川的作品是將那些美好的私人生活和和諧社會的表征毀滅給我們看。但是其方式卻是平凡而普通的。其作品中試圖磨滅現實的質感而替換以時間的陳跡。­­-



Wang Haichuan, whose major was visual art, used to work in the field of architecture and landscape design for many years. In his works, there are no figures. People tend to regard these works as cliches of landscape painting because of his portrayal of buildings and gardens. But the fact is not like that. Since 2008, artists first portrayed those monuments, and then he spread to all kinds of high-class compounds. If we ignore the brush strokes in the picture, we can almost consider these images as architectural paintings. However, the conception of these paintings happens to be in these non-painting elements. These single-colored pictures make things from the real scenes become fake. The absence of people in the pictures makes these humanized things lose their “humanities”; they look like the empty and simple decorations on the stage. Those single-colored brush strokes continuously remind us of the fakeness of the beauty and the artist’s attempt to destroy or penetrate it. Wang Haichuan’s works destroy the superficial characters of those beautiful